{"store":{"baseInfo":{"podcastTitle":"The Politics of Cinema","slug":"politicsofcinema","podcastDescription":"On this show, we believe that films are never neutral. There is a political as well as artistic message captured (on purpose and on accident) in every film. We’re on the lookout for all of it.","podcastLogo":"https://pbcdn1.podbean.com/imglogo/image-logo/11806958/Politics_of_Cinema_-Final.jpg","podcastShareLogo":null,"podcastUrl":"https://politicsofcinema.podbean.com","podcastCanSearched":false,"feedUrl":"https://feed.podbean.com/politicsofcinema/feed.xml","theme":"elegant","podcastDeepLink":"https://www.podbean.com/pw/pbblog-zmpcq-b428ee?from=usersite","removePodbeanBranding":"no","brandingLogo":null,"timeZone":{"timeZoneId":15,"gmtAdjustment":"GMT-05:00","useDaylightTime":1,"value":-5,"text":"(GMT-05:00) Eastern Time (US & Canada)","daylightStartTime":"Second Sunday Of March +2 Hours","daylightEndTime":"First Sunday Of November +2 Hours","timezone":"America/New_York"},"podcastDownloads":null,"totalEpisodes":43,"showComments":true,"iOSAppDownloadLink":null,"customizeCssUrl":null,"androidAppDownloadLink":null,"showPostShare":true,"showLike":true,"author":"Aaron and Isaac","enableEngagementStats":false,"shareEmbedLink":"https://admin5.podbean.com/embed.html?id=pbblog-zmpcq-b428ee-playlist","language":"en","sensitivitySessionExpireTime":3600,"podcastApps":[{"name":"Podbean App","link":"https://www.podbean.com/pw/pbblog-zmpcq-b428ee?from=usersite","image":"https://pbcdn1.podbean.com/fs1/site/images/admin5/podbean-app.png","title":null}],"components":{"base":[{"id":"MainStyle","val":"light"},{"id":"Font","val":"Avenir"},{"id":"SecondaryFont","val":"Avenir"},{"id":"PlayerColor","val":"#8fc31f"},{"id":"PlayerStyle","val":"player1"},{"id":"PlayerWave","val":"show"},{"id":"Favicon","val":null},{"id":"CookiesNotice","val":"hide"},{"id":"CookiesNoticeContent","val":"

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We're taking a look at Pre-Code Hollywood with a discussion about Blondie Johnson (1933).

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We're taking a look at Pre-Code Hollywood with a discussion about Blondie Johnson (1933).

Twitter / Instagram / Letterboxd / Facebook